Thursday, 23 July 2009

Jodie Foster and the art of ventriloquism -- A.J Kirby


I’ll never forget the first thing he said to me; the way he curled all of his thorny knowledge into that one barbed comment stopped me in my tracks.

‘You don’t look a bit like Jodie Foster,’ he said, weighing me up. Our eyes met; his being deep pools of consciousness; mine dancing around nervously, not wanting to be pinned down.

I attempted a vague, businesslike smile, pretended that I had no idea what he was talking about. Unconsciously, I started to tear at the edge of one of the papers I clutched tightly to my chest. I must have looked wounded. He couldn’t have missed the panic which was bubbling up within me, about to overflow.

And then he smiled. At first it was only a simple tickle at the edges of his thin lips, then his nostrils flared, and finally those dark eyes softened. When he smiled, his whole face opened up.

‘I do apologize,’ he said, his voice much softer now, ‘I don’t get to meet many new people. Please allow me to start again; I’m Francis Croker.’

‘I’m Janet,’ I nodded, simply, ensuring that there was no trace of a quiver in my voice. He probably knew very well who I was and what I was doing there.

He stood up from his low bed and walked toward me with a measured stride. His were the movements of a man that knew that he had all the time in the world. As he walked, he corrected a crease in his shirt. I couldn’t help but notice his wiry muscular build through the fine fabric; the outline of a tattoo on his right shoulder; a glimpse of a scar on his neck-line.

‘Pleased to meet you, Janet,’ he replied, rewarding me with another beaming smile. I felt myself relaxing into his company; felt the burning desire to inform this man that I wasn’t another ‘Jodie Foster’ slipping away with every breath.

Most people would kill for looks like mine, but I’ve come to think of them as an obstacle to be overcome. I’m too fresh-faced; too pretty-pretty; too girly for people to take me seriously. First impressions count, and I already know that most people meet me and immediately want to treat me like a child. Hence his jibe, I suppose; I’d already been warned by the staff that I’d likely be dubbed Jodie Foster by the men.

‘It’s like in that film, The Silence of the Lambs,’ one of the prison officers had said, ‘when they send Jodie Foster, a damn trainee, to go to speak to one of the most notorious criminals in America.’

I steeled myself to ask the question; the one that had been laughed, spat and ignored back into my face by most of the rest of the men on the wing. ‘Would you like to join my discussion group?’ I murmured.

‘Why Janet; I thought you’d never ask,’ replied Francis, pleasantly. ‘And what shall we be discussing?’

‘Well… anything you’d like really. There is no set agenda.’

He wrapped his hands through the bars and leaned in close. I had to fight the urge to step back. ‘Be careful, Janet,’ he whispered. ‘Some of the men in here are very clever… If there is no set agenda, they’re liable to hi-jack the whole discussion for their own… sick… purposes.’

With Francis’s words in mind, I stayed up far too late preparing my notes for the discussion group and absently draining the contents of yet another bottle of red wine. When I finally switched off the laptop and pulled the duvet cover around me, I found that in spite of the lateness of the hour, I still couldn’t sleep. My room felt claustrophobic and oppressing. Through the thin walls, I could hear signs of activity from the flat next door; a hacking cough, the creaking of bed-springs. I tried fished around for my I-Pod so that I could try to cover up the sounds, finally finding it wedged between two of the chunkier textbooks on my bedside table. I shuffled through the stultifying classical music until I found the audio version of Joel Beech’s best-selling book on relaxation techniques.

Instead of relaxing me, Joel’s lilting words inspired those familiar pangs of professional jealousy in my gut. Joel hadn’t exactly been top of our class at university, but his cod-psychological ramblings had found a real niche within the marketplace. Ignoring his lack of credentials, the public lapped him up, especially in America. It helped that Joel had the kind of ‘mysterious’ look that people have come to expect from their psychologists. Conversely, my own book had been reasonably well received in the academic world but had been virtually ignored by everybody else. I reckoned that if it hadn’t been for my decision not to have my photograph on the dust jacket, I wouldn’t have even broken even.

Newton Mills prison loomed like a bloodstain, slap-bang in the middle of the flat, characterless flood-plain on the coast, the only concrete amongst miles of green. It came to remind me of my purpose-built, out-of-town university campus. Only, at least the university’s architects had made cursory efforts to make the new buildings fit in with the surrounding countryside. Here, function came above everything else; it was teeming with barbed wire, fencing, gates and barriers. It was like a vision of hell which never ceased to inspire dread in the beholder.

I pulled the old Lupo onto the narrow access road and rigidly adhered to the 10mph speed limit, playing for time. But in the end, I could put off my arrival no longer. I locked the car, returned to double-check it, and then nervously chuckled to myself; the visitor’s car park was probably one of the safest places in the world to leave the car. It was virtually surrounded by surveillance cameras and besides, all of the criminals were inside.

Taking a deep breath, I walked to the gatehouse. Despite having seen me throughout my induction, and every other working day since, the prison officers at the gate still eyed me with suspicion. I was patted-down, felt-up, sneered-at. Nervously, I brushed the hair out of my face in order that the security camera could record the contours of my face. I knew exactly how I’d look to them; windswept. Ever since the induction, I hadn’t bothered wearing hair-clips, even during the walk from the car. Hair-clips were amongst the long list of banned items, along with belts, phones, laptops, tablets, food, drink, and anything else that could conceivably be thought of as a weapon.

Feeling naked then, I stepped through a metal detector and was granted an escort through to the sterile area, which was contained within a further three perimeter fences. The officer bristled with complaint; he clearly didn’t think that it was part of his job description to guide interfering busybodies like psychologists about the place. We walked down the corridors in an uncomfortable silence; the only sound was the echo of his steel toe-capped boots on the polished floor and the jangle of his keys as he stooped to open more gates every few metres or so, and then close them behind us.

Finally, we reached the prison-proper. Newton Mills had been designed to an old, accepted prison model which I immediately recognized from films. It had a formation like a bicycle wheel, with wings of cells leading off the center like spokes. The center held the control room, the panopticon, from which an officer could see down every wing and check for any trouble. It was the prison’s all-seeing eye.

And so, feeling as though I too was being watched, I rattled along my allocated wing – C-Wing - and informed the men that the first of my discussion groups was to take place in thirty minutes time. The only take-up was an old man called Albert who had rheumy eyes and a terrible complexion, and of course, Francis Croker.

I had managed to commandeer a reading room at the back of the library, but for security purposes, officers had to be stationed on the outside, in the event of any trouble from the men. Unfortunately, as the reading room had glass walls, the officers in question spent much of the hour with their faces squashed against the glass, glaring at the offenders and at me.

The other problem was Albert. I should have known that he’d not exactly contribute to the discussion when I’d seen him shuffling along the corridor, slowly muttering to himself. It seemed that he’d only joined the group for a bit of peace and quiet, for almost as soon as I started speaking, he lurched forward and emitted a heaving, wheezing accordion note of a snore.

‘Don’t worry about him,’ said Francis. ‘He’s a serial group-joiner, is our Albert, but he doesn’t exactly contribute.

I nodded, acknowledging both his attempt to make me feel better and the voice in my head which was making snide remarks about it being an ‘inauspicious start to my time at Newton Mills.’ We sat in silence for a while; me staring at my hands, Francis staring back at the prison officers. I became aware of the faraway sounds from the workshops, the cloying smell of disinfectant which seemed to shroud everything in the prison. At first, I’d thought that the tangy, alcoholic smell was actually emanating from me - my secret night-drinking ways brought to light in a place where no booze was allowed – but soon I’d realized that it was simply the prison’s own, unique stink.

Remarkably however, things did get better. Francis suggested that I should read through my agenda. He immediately began interrupting, suggesting new topics and interesting diversions from the main thread. Gradually, we started to get over our initial hesitancy. We started to engage; we forgot all about the sneering prison officers looking in, and we mused about the meaning of victim hood, the definition of a crime, and the hierarchy of prisons. We started to enjoy ourselves. At the end of the session, Francis even helped me to collect together my notes, which were fanned about the conference table in front of us. He even promised that he’d try to talk some of the other C-Wingers into attending my next session.

Despite myself, I started to look forward to the sessions. I began to feel stirrings in the back of my brain; it was like the return of an old friend. You see, he’d opened my eyes to a whole new world of philosophy. I’d expected my subjects to be mere sounding boards for my own ideas, but instead, Francis made me step out of my own comfort zone. When he asked me: ‘Do prisons work?’ I actually had to stop and think. Have I actually got an opinion about this?

Of course, the prison officers weren’t convinced about the value of my discussion ‘groups’. The sessions continued every Tuesday morning, but no matter how much I tried to drum up interest, the highest attendance remained at only two. In the end, even Albert stopped coming. I didn’t know whether he’d been taken ill, had found another, better group to sleep through, or whether he’d been released. I asked Francis:

‘Oh, don’t worry about Albert; he won’t be getting out of here for a long, long time. He’s one of the lowest of the low, as they’re called,’ said Francis, calmly.

I felt an involuntary shudder run down my spine; I knew what lowest of the low meant now, thanks to Francis, and in spite of my efforts to be a good little liberal, I couldn’t help myself from feeling sick at the thought of being in such close proximity to such a scheming, sick son of a bitch… For some reason, I never even asked myself what Francis was inside for. Maybe that voice in my head was telling me that even by contemplating such a thought, I’d be opening Pandora’s box. Instead, I concentrated on our discussions, which, without Albert’s sleepy presence became even more in-depth.

I began taking copious notes and then staying up all night trying to make sense of my scrawled hand as I typing them up. When I read these frenzied musings back in the morning, the unavoidable conclusion was that something was missing. Some of the truth in Francis’s words was diluted when I transferred them to the laptop. Underneath all the wisdom, there still remained the fact that it was still being written in my own somewhat naïve voice. I began to doubt my own ability, my own profession…

And then came Francis’s proposition; the thing that changed everything.

‘These sessions have got me thinking for the first time in ages,’ said Francis, baring his pearly white teeth. ‘For the first time that I can remember, I’m interested in something.’

Despite myself, I felt a surge of pride.

‘I go back to my cell of an evening,’ he continued, ‘and I write-up what we’ve discussed. Over time, it’s grown into something more than a little hobby of mine… Over time, it’s developed into a kind of poor-man’s psychology of prison book… Would you like to read it?’

Of course I wanted to read it. I wanted to read it more than anything else in the world. And I did read it; I marveled at the beauty of his penmanship, the validity of his every word. I sat in the reading room until I was, not particularly politely, asked to leave. I felt like crying; he had written very the book that was up there in my head, just waiting to be set free. In Francis’s book, ideas of criminality, insanity and society had been triple-distilled and now flowed as smoothly as a mountain stream. Next time I met him, I gushed with admiration.

‘You have to publish,’ I started.

‘It’s against the rules,’ he said wearily. ‘There’s nothing you or I could do. You will be my only reader… but I’m happy with that.’

I wasn’t. It felt like the real crime was not allowing this wondrous text to see the light of day. It was the sort of writing that would really change things.

‘Unless…’ he said. ‘Ah, it doesn’t matter…’

But my interest was piqued. I touched his hand to signal that he should continue with whatever train of thought he was on.

‘Okay; what if you were to publish the book under your own name?’ he asked, quietly.

At first, Francis’s proposition sounded like heresy, but after the third glass of wine that night, I began to see things his way. Rules are often too rigid; and can be bent for the greater good. Sure, it would be against the rules to accept anything given to me by an offender, but… But the book had to be read; the world deserved it. In the end, I smuggled his writing out of the prison every Tuesday amongst my own papers. Of course, I was never checked. I suppose my innocent face saw to that…

For the next few months, I became little more than a glorified secretary, transferring his words to the laptop. Once the book was complete, I aimed high with it. Eventually, it was accepted by the same large publishing stable that counted Joel on their list of writers. On publication, it was a glorious, unreserved success, both critically and amongst the book-buying public. After the months of slow-burn toil, my life became a fairytale. When my first royalty cheque arrived, I nearly fell over. It was more money than I’d earned in seven years of work. Next came the invitations to the inevitable end of year award shows, and then the prizes, the audio recordings and the signing tours.

It was as I stepped back through my front door after a signing tour in America that I received the phone call which shattered all of my illusions. Still clutching the duty free rum I’d been supping in the taxi from the airport, I reached for the house phone and cradled it between my ear and my shoulder, absently wondering where all of my glasses were.

‘Yes?’ I slurred, my voice disgustingly thick with drink.

‘Is that Janet?’ responded Charles, my agent.

‘You know very well it’s Janet…’ I said, depositing the bottle of rum on the counter in order that I could click the phone onto loud-speaker while I had a proper search for the glasses.

‘Is that Janet?’ he repeated, and finally I got it through my thick skull that there was something seriously wrong.

‘What’s wrong, Charles?’

‘Do you know Susan Temple?’ he asked, before making this strange sobbing noise down the phone.

‘Well… no,’ I said. I couldn’t even rack my brains as I’d drunk so much. It did sound like a name I should have known, but I couldn’t place it.

‘You sure?’

‘I might have heard the name at some point.’ I decided, vaguely. ‘Why? Who is she?’

‘Susan Temple is the mother of Janey Temple… remember her?’

Suddenly, I knew where I knew the name from…

‘Susan was found dead tonight; an overdose. When the police found her, the only clue they could discover was the fact that she was clutching your book…’

I could barely speak.

‘There were sections underlined, apparently’ continued Charles. ‘The police think that she might have thought of the words as some kind of message… but then again, she was still crazy with grief after what that monster did to her daughter.’

‘What monster?’ I asked. The room was spinning. I felt as though I was being sucked into a vortex from which I could never return. I don’t want to know, I don’t want to know, chanted that voice in my head.

‘Frank Croker,’ said Charles, driving a dagger into my heart with his very words. Then he paused, ‘Janet, is there something you’d like to tell me about your book?’


Photo Credit: mnomono at Flickr

A.J Kirby (or Andy to his friends) started to write seriously after just losing out on winning a cash prize on a TV game show, despite being told the answers beforehand… Writing fiction and suspending a skint reality is his stock in trade now, and he’s lucky enough to have been featured in a wide number of publications, including anthologies (Legend Press's Eight Rooms, Nemonymous 8: Cone Zero & Nemonymous 9: Cern Zoo from Megazanthus Press, Graveside Tales' Fried: Fast Food Slow Deaths) print magazines (Sein und Werden, Skrev Press, and Champagne Shivers) and webzines (NVF, Pumpkin magazine, Underground).

Andy lives in Leeds, UK with his girlfriend Heidi. To find out more, visit his website.

Friday, 17 July 2009

Best Girl -- Cynde Gregory


Her name was Sarah. I loved her absolutely and without condition. She was younger than me by a full year and a half. At a time when such things mattered, I loved her in spite of her age as well as to spite the girls in my class who wouldn’t have me part of their knotted, complicated friendships. At fifteen and a half, Sarah knew things I didn’t; how to drive, how to flirt with boys, how to play Chopin at midnight by candlelight with her head thrown back, her fairy-tale hair glittering like true gold in the dancing light. She knew how to draw herself up and sneer at her father when he tried to set a curfew. She knew how to drink shots of tequila and lick salt off her fist. She knew the shortest shortcut to the Student Union on campus, where we were forbidden to go and so always were.

Sarah taught me to dress in old satin tablecloths we bought for quarters from secondhand stores and tinted the color of emeralds and rubies with boxes of dye. They could become anything; folded on the diagonal, they were shawls. Folded on the diagonal and snipped at the center, they were capes; stitched at the side, they became blouses. Snipped wider at the center and stitched with elastic, they were Gypsy skirts that hung to the ground and lifted alluringly when we spun in wild, barefooted circles. She tried to teach me to shoplift lipsticks, but that didn’t take. I told her I didn’t believe in lipstick; I didn’t tell her I didn’t believe in shoplifting.

What I saw in Sarah was the sun, the moon, and a universe of every star that ever sparkled. What I didn’t see was what too much of our young world saw; as beautiful as I knew she was, her beauty wasn’t physical. Physically, she was what was euphemistically called big-boned by adults, and more accurately, fat, by other girls. Her eyes sat too close to the beak of her nose—although even now, when I picture her I see the saucy snap in her eyes and her nose seems regal rather than hawk-like. Her teeth jutted, and one overlapped. Her chin tucked itself beneath her mouth like a turtle pulling in its head. Her skin was so pale it was nearly transparent and blue; every emotion painted itself across her cheeks in varying shades of blood. I thought the multitude of ever-deepening blushes that stained those ivory cheeks were exquisite. The single dimple that spontaneously appeared when she even thought about smiling and the darling Dumbo ear that parted the glorious curtain of glittering hair made me oddly proud that she was my best friend.

I wasn’t especially beautiful, either, but Sarah’s lessons in flirting had resulted in a steady stream of boys who followed us to the library, to the Student Union, back home. Although I tried to pretend otherwise, including her in conversations, steering the boys’ attention in her direction, it was clear they were following only me, and Sarah knew it. She ate and drank to comfort herself, and she grew bigger and bigger, her small eyes squeezed to slits too close to her reddening nose.

A year passed and I went off to college, promising to write. I did, one letter the minute I got to my cement-block dorm room, lonely for the girl who’d taught me how to live in the world. I wrote again, once or twice, but for the most part I allowed myself to be swept away in the waves of college life; sophisticated East Coast friends with Boston accents who teased my Midwest vowels, a group of serious young writers I fell in with, and a steady stream of boys-no-longer who weren’t either quite men.

I remember trying to write to Sarah late one night by candlelight, the flickering shadows reminding me of how she’d played Chopin with such abandon. I wanted to tell her about the man who’d published a love sonnet in a literary magazine, and dedicated to me; but I could not, because it seemed the same as if I’d slapped her with my open hand. I wanted to tell her about my first poems being accepted for publication, but I feared she would be jealous and hurt. I don’t know why I thought so; she’d never seemed jealous before. Perhaps from the distance of time and several states, I’d begun to see Sarah the way other people did; I’d begun to pity her.

Confused by it, I turned my back and drenched myself in my own life. I heard she’d gone to Israel, I heard she’d married a Palestinian. I heard she’d become pregnant and that her body grew to immense, obese proportions. I heard her husband beat her. I heard she left him. But still I didn’t call or write, because with each new piece of information, I felt guilty.

Eventually, I ran into her mother who told me not to call Sarah. She had had a breakdown; she hated everyone, me most of all. She didn’t speak to her father, whom she claimed had abused her (a claim I don’t doubt; although she’d never directly spoken of it, I had always despised the man and had wanted to protect her, although I didn’t exactly know from what.) She barely spoke to her mother, in monosyllables only. Everything sent her into a rage. Her mother begged me to leave Sarah alone; contacting her would only make things more difficult.

I left her alone for another year, until the morning I answered the phone and was told my brother had drowned. I called Sarah immediately, after all the years still needing her like I had always needed her. Needing her, probably, the way she had needed me, and I had failed. She answered, and when I told her about my brother she began to laugh. She laughed and laughed, a low snicker turning into a chuckle turning into a cascade of giggles turning into a shrill, hollow howl. “I don’t care,” she gasped between chortles, “I don’t care about anything. Don’t you ever, ever call me again.” And then she hung up.

I doubt she’s still alive. A decade later I had a dream that was too vivid, the kind of dream that occupies a physic space that is more-than-dream. It didn’t turn into ephemera upon waking; it seemed to solidify. In the dream, Sarah was a ghost, paler than in life, lighter, lost and drifting. Lonely. Enraged. In the dream, I tried to help her find a door, but there were no doors anywhere. She didn’t want my help; she hated me and she loved me and couldn’t stop following me. In the dream I wanted to bring her back or send her away.

When I woke, I tried to call her mother. The phone had been disconnected. I contacted the university where her father had taught, but he was no longer there. Sarah was gone, and the loss of her was permanent. For nearly 40 years I have missed her, and regretted I wasn’t mature enough to take care of her the way she’d taken care of me. I do see her several times a year; she visits my dreams, always as a ghost, always slipping among shadows, always waiting to be finely and finally loved.



About the author: Cynde Gregory is a poverty-stricken writer/real estate agent/substitute teacher/adjunct college instructor hanging on by her fingernails in Lawrenceville, Ga. She will be having a Pay the Mortgage yard sale in August, which gives you plenty of time to order your plane tickets. She will be selling her past, including her entire collection of Teenage Angst Poetry, her pink high tops, her pride, a partridge in a pear tree, and other things beginning with the letter P. She has been a writer for the last 11 of her lifetimes. Prior to that, (lifetimes 12-17), she was an exotic pole dancer.

Photo Credit: saffy_suppi at Flickr

Friday, 10 July 2009

Wrath -- Justin C. Gordon


At 11:27 a.m. the interim Pastor John Stevenson sits in the front pew checking his pocket watch and struggles with the decisions of obedience and routine. Every Sunday, The Elder Board demands two things from him: a sermon firmly rooted in conservative scripture and the congregation be across the railroad tracks before the 12:27 train cuts off the only road to the First Free Evangelical Church of Joplin, Missouri for three hours. As Stevenson has learned from months of interviewing for a permanent position, this is their routine. The Elders neither care that modern theology has broadened, nor will they ever consider having the service earlier. They believe this routine is the only edification for farming the cursed soil of evicted pagan Indians. All attempts of extracting the curse have failed continuing Joplin’s freezing winters, scorching summers, and tornados in-between. When the curse is absorbed through the skin, men feel set on fire with anger that ties morals into a knot and drives them to commit sin. The Elders insist that only by keeping the routine can a curse, like crops, be rotated for the soil to abundantly produce.

While Stevenson sits, his heart pangs to the rhythm of his pocketwatch’s sub-dial. He worries not about an approaching train or a rural community’s curse he doesn’t believe in. He’s not from Joplin, but Chicago. Conservative scripture full of wrath and fire is not his doctrine. His God is compassionate and forgiving. Stevenson obediently preaches this and knows whenever the Elders are discontent they avert their eyes. They have averted their eyes after every sermon Stevenson has given, but when he entered the church today and no one looked up, he knew that his eulogy three days ago at Penelope Finbrick’s funeral was being blamed for the disappearance of her seventy-year-old husband, Walter. He knew that the Elders had sent word out for a replacement preacher and were a substitute available, they would have already sacked him.

Today, Walter’s pew is empty and Stevenson recalls the funeral. The Elders had stood around the plot like a black curtain. Passing through them, Stevenson heard disdainful whispers that Walter the farmer had dressed for a date instead of a funeral. Stevenson ignored the gossip; Walter’s pressed green suit was merely colorful, but he did appear fidgety. His thumbs dug at the soil under his fingernails while his eyes roamed as if searching for a single sprout on a barren field. This behavior continued while Stevenson preached how the Holy Spirit sends tongues of fire enabling anyone, even the youngest child, to communicate with those in crisis. When Penelope’s casket was lowered into the ground to be taken up into the arms of the Lord, Walter briefly squatted to see past the assembly’s feet. Stevenson put these actions off as manifestations of grief, not dissatisfaction with his eulogy, and in the parking lot offered Walter a handshake with the consolation, “Penelope is with the Lord.”

Walter got into his truck. Shadows coated his features like a char burn on paper and before he drove off said, “Then I better go get her.

The Elders averted their eyes and Walter hasn’t been seen since.

At 11:27 a.m. Stevenson tells himself to make a decision. His family is also in this front pew and has suffered for his lack of success. His wife, Caroline, has been snubbed by local women who stop talking when she enters shops. Beside her are their three children: Mary, Luke, and Veronica, ages twelve, ten, and eight. Of them, only Veronica hasn’t said if her classmates tease her for her father’s sermons. Autism keeps her vague.

In Chicago, Veronica would scream at the noise from a subway, bus, or car alarm. Her doctor’s advice that city life over-stimulated her condition sent Stevenson submitting resumes to quiet places like Joplin. Now sitting here in church, Veronica still softly loops words, but seems in a peaceful bubble. She looks with bright green eyes down her yellow dress to the shoes she cannot keep tied. Her tongue darts out frequently, has been since her father practiced Penelope’s eulogy at home, and is ready for The Holy Spirit to send a tongue of fire at any moment, no matter how much it drives her mother nuts.

Stevenson closes his pocket watch and decides if the Elder’s routine wants wrath today, by God, he will give it to them.

At 11:28 a.m. Veronica swings her feet and thinks, My shoe is knot untied. Father said, ‘No, your shoe is untied.’

Knot not tied. Untied. Knot untied.

Father goes to the pulpit to preach the good word. He uses the red silk bookmark in the bible to find the right good word. He says, ‘Turn to the Book of Genesis, 19:1.’

And suddenly everybody is opening bibles to find the right good word.

When I swing my legs, the laces tap against the pew. Giggle. Uh-oh, Mother. Mother HATES Joplin. She misses the city and is always angry, but smiles in church.

Mother smiles and whispers-whispers, “The Elders are watching. Keep your tongue in your mouth.”

If I keep my tongue in, is the Holy Spirit’s fire gonna burn the roof of my mouth?

I keep it out a tiny bit for the Holy…

Uh-oh, Mother.

Look away from Mother smiling and down at my shoes knot untied.

I meant untied.

At 11:29 a.m. as Stevenson starts to speak, the main doors of the church bang open. Walter stands in a torn green suit, shoes covered in mud, and looks like he has not slept for days. His eyes search the room.

The Elder Board averts their eyes.

11: 29 a.m.

Walter thinks, Penny? Penny? Where’s my Penny…

11: 29.

Stevenson believes this is a sign from God and is filled with confidence. He nods to the usher, Seymour Dunlap wearing a Purple Heart on his lapel, to greet Walter at the door. Seymour takes Walter’s elbow and sits him in a vacant pew. Walter looks under the seat as Seymour ambles to the rear of the church, closes the doors, and checks his watch.

11:30.

“Genesis, 19:1, The Destruction of Sodom and Gomorrah,” Stevenson’s voice lurches like a train leaving a station and builds momentum reading the scripture. The cities of Sodom and Gomorrah are deep in sin. Except for Abraham’s cousin, Lot, who resided in Sodom, the lewd urbanites ignored the Lord’s law and coupled with their own gender. Angels were dispatched to tell Lot, go! Crowds of wicked men demanded Lot turn over the angels to act perversions upon them. Lot offered his two virgins daughters, but the crowds lusted for angels. The angels told Lot to take his family into the desert, warning that none were to look back as the Lord’s wrath smote the cities with fire.

Loud as a train horn, Pastor Stevenson reads the last passage, “But Lot’s wife looked back, and she was turned to a pillar of salt!”

11:36.

Walter thinks, They forgot her name.

11:37.

Onward Stevenson drives the sermon. Obeying the Lord is a routine he demands of his people. Lot’s wife ignored this routine by turning away from God’s instructions, chose the city’s despicable lifestyle, and sets a curse in motion for centuries to come. Their mother smitten, her daughters are left to carry Lot to an isolated cave. Without husbands to give them children, they ply Lot with wine, and lay with him. The blighted offspring, Moabites and Ammonites, offer human sacrifices to their deities, Chemosh and Moloch. They repeatedly wage war against Israel until King David defeats and subjugates them.

11:42.

A week ago, I sat on the edge of Penelope’s bed at the hospital. She was small in her yellow robe, but laughed at the wigs they gave her. She joked she should’ve stopped brushing her hair long ago. During chemotherapy, she avoided mirrors, not wanting to see herself fade, so her wig always sat off-centered on her head.

Penny closed her eyes and asked, “Walter, what color are my eyes?”

“Penny, Penny, where’s my Penny?” I teased like always when she asked this question. This is our routine and for fifty years of marriage I’ve known love shining through her eyes. Even when my anger, like a burning curse, has tied me up in a knot, her eyes have always set me free to do what was right. “They sparkle green.”

“Remember them,” She said and opened her eyes.

On the dresser was a clear package containing plastic silverware, a napkin, a pepper packet, and a salt packet. The salt packet had a picture of a little girl holding an umbrella. She wore a yellow dress and stared down at her shoes. It was Morton’s Salt Girl and under her arm was a container of salt with the spout open. The crystals spilled behind her, pouring even when it rained, a trail wherever she walked. The rain would slowly dissolve the salt. There would be no trail to follow.

Penny, with her gray wig off-centered, cradled my face close, “I worry about you, Walt.”

I felt ashamed, “Don’t worry, my Penny. Just get better.”

“I worry that after I’m gone, ” Penny said and her face filled with pain, “you alone with what’s in that soil…”

“It’s only dirt.”

“I didn’t mean you aren’t a good man, you are, and a good farmer, but when you’ve been out there too long in those fields, you get that way...”

“But, I’ve got you.” I said and looked at the windows. The sun was setting.

“I won’t be coming home this time Walter,” Penny said. Tears rolled down her cheeks. She opened the utensil package and dabbed her cheeks with the napkin. The salt packet fell on the sheet between us. Morton’s Salt Girl was tiny on the barren field of the bed.

“Penny,” I said and gently flattened a bump in the sheet. The oil from my hand left a smudge like a char burn on the cotton threads.

“On the television, there was this oil fire in Texas they couldn’t put out with water,” Penny said and balled up the napkin into the sleeve of her yellow robe. “They used dynamite. It exploded. All the air got sucked up so the fire couldn’t breathe and went out. That’s like you.”

We sat as the sunlight sank away. Shadows on the sheet coated the smudge and Morton’s Salt Girl.

“Don’t talk like that,” I said and kissed her forehead.

“Oh Walt,” she said and dug for the napkin, but had no strength to remove it. “Just know that after I’m gone, I’ll be with the Lord waiting for you.”

I could not see her eyes in the dark.

11:47.

Father is pointing at me. No, he’s pointing over me. He said at church, he isn’t pointing at just me, but everyone. He points and shouts, ‘Lot’s wife and fate is a lesson to those who don’t obey the Lord’s routine. Know the Lord will smote thee with his wrath!’

When father shouts, WRATH, his tongue sticks out for the Holy Spirit.

11:50.

Cancer. Penny hadn’t smoked or drank or done any of the things that people get cancer from. She simply got it and died painfully, a churchgoing god-fearing woman who suffered the Lord’s wrath.

But Lot’s Wife looked back, and she was turned to a pillar of salt.

11:52.

The congregation sings the closing hymn, hums amen, and checks the time.

11:55.

Mother sends Mary and Luke to blow out candles around the altar. She takes me to join Father at the doors. She calls this Judgment Time. The Elder’s decide if Father’s sermon was good or bad. Judgment Time is always bad.

Old-old-Seymor-Dunlap who fought for our country against Japs and never talks to me or my brother Luke or my sister Mary, looks down at my shoes.

My shoe is knot untied.

Old-old-Seymor-Dunlap laces my shoe and says, ‘Miss Veronica, conservative scripture has returned to Joplin.’

The Elders gathers around Father. They pat his back and shake his hand. Women invite Mother to tea. Mother doesn’t drink tea, just coffee, but says, why yes!

Old-old-Seymor-Dunlap’s eyes are bright blue this Judgment Time.

12:05.

Outside, Pastor John Stevenson locks the doors of the church. Vehicles roll out of the parking lot towards the railroad crossing like a parade. Caroline Stevenson leads her children to their Dodge Caravan and says, “Lock the doors, John.”

Mother always says, ‘Lock the doors, John’. ‘John’ is what Mother calls Father. Father always locks the doors. Then Mother worries about the train until we cross the tracks. Father always gets us across the track.

Mary whispers-whispers to Luke, ‘Did you see him?’

Luke whispers-whispers back, ‘Yeah, he’s got IT.’

IT is what the kids at school call the curse. They say, TAG YOUR IT and run.

Mary whispers-whispers, ‘He said, ‘Penny? Penny? Where’s my penny?’’

Luke takes a penny from his pocket and says, ‘Here’s my Penny.’

I want a penny.

‘It’s mine,’ Luke says and pops it in his mouth.

‘Get that out of your mouth!’ Mother yells at Luke.

Luke says, ‘It’s for safekeeping. If I swallow it I’ll get it back later.’

Mary says, ‘That guy should’ve done that with his penny.’

And then Father appears and says, ‘What guy?’

The guy who lost his penny.

“Walter?” Father asks, but I don’t know, so he runs back to unlock the doors.

Mother looks at me and says, “Keep your tongue in your mouth.”

12:10.

Penny is with the Lord. This is the Lord’s house. She should be here.

If she isn’t in this house, then she isn’t with the Lord. They forgot her name.

12:12.

This is the Caravan. It’s a car and a van. Caravan. We always wear our seatbelts in the Caravan. Me and Mary and Luke’s make our seatbelts go click.

Out Luke’s window, I see a black dot down the line. That’s the train.

Luke is still safekeeping his penny.

I want a penny for safekeeping. I’d keep it on my tongue right here.

12:14.

“Walter?” John says finding the farmer sitting alone in the empty church.

Walter looks away and says, “My wife turned to salt.”

John sighs and asks, “Can we talk about this on the other side of the tracks?”

12:15.

The train. Every Sunday when Church is over the 12:27 train comes.

I follow the preacher out. He’ll know her name.

12:17.

I see Father and the Man who lost his penny walking to a truck. The man who lost his penny turns and says something. Father steps back and scratches his head.

‘Come on John, the train!’ Mother says and honks the horn.

Father jumps. Scared. Giggles. He points to the tracks and runs to us.

The man who lost his penny shakes his head and gets into his truck.

12:19.

John climbs into the Caravan and ignores Caroline’s comments. He looks out his door’s window to the diesel train pulling a long tail of cars up the line. His eyes follow the ridge of track over Joplin’s flat farmland, past Caroline’s window, where it intersects the Church’s road. The crossing is only a hundred yards away. There, a short ramp leads up to a bed of gravel the rails slice through. On the other side is a down ramp back to the road. Both ramps have Crossbuck signs with lights off, bells silent, and gate arms up. John shifts into drive and says, “Honey, we’ll get across.”

‘I don’t want to get stuck for three hours watching that train crawl,’ Mother says.

Mary tries to see the train. Luke bobs his head and blocks the window. Mary clicks her seatbelt. Uh-oh, Mary’s seatbelt’s knot untied. She pushes past Luke who laughs with the penny in his mouth and says, 'Dad, what did that guy want?’

“Walter asked me a biblical question I couldn’t answer.” John says and checks the rear mirror. Walter’s truck follows. “He wanted to know what was Lot’s Wife’s name. I forgot it. Actually, I don’t think her name is mentioned. We’ll look it up over the tracks.”

“Great.” Mother says and because we’re not in church, she doesn’t have to smile.

12:20.

Not in the house. Could not remember.

Don’t look back; I am the wrath of the Lord. Smote thee.

12:21.

The Caravan starts climbing the crossings ramp. John feels the front end rise and knows there is a small drop when the wheels become airborne before touching the gravel. Then, the vehicle will rock like a drunken elephant before leveling and proceeding over the tracks. John eases on the accelerator and the wheels go off the ramp.

Caroline looks back and screams, “John, he’s going to hit us!”

In John’s side mirror, he glimpses a swerving truck before his door implodes. Metal twists. Glass shatters. The Caravan is slammed sideways and without equal traction, tips. John’s airbag deploys and knocks his hands off the wheel.

The Caravan rolls over, lands passenger side down, and stops.

12:24.

The airbag pins John to his seat. He can’t remember what just happened so asks his wife. She doesn’t respond. Caroline’s head leans against her door’s broken window and a metal railroad track. The smashed glass around her twinkles like crystals until suddenly, red lights flash, bells clang, and the shadow of a gate arm lowers over her face.

Veronica screams.

John fights the airbag and turns around. In the luggage area, Mary is crumpled upside down against the tinted rear window that barely hangs on its hinges. The stuff kept back there; his briefcase, an umbrella, and coloring books cover her. She struggles to upright herself. The umbrella opens. She shoves it behind her and trips into Luke hanging limp from his seatbelt like a rag doll with an open mouth. Mary faints onto Veronica still strapped in her seat and screaming. Her green eyes are terrified when John tries to reach her. His words are lost in her screams. Her teeth are bloody from biting her tongue.

12:25.

My tongue burns-burns-burns!

Father is shouting! Not shouting at me, but over me! He shouts, ‘Listen to me, Veronica, we have to…’ But my tongue burns-burns-burns! Father shouts, ‘The train, Veronica, the…” and his tongue sticks out and CRASH the back window falls out and light fills the caravan and Father looks at me, but over me and sees the light with his tongue out and it must be the Holy Spirit! I want to see the Holy Spirit! Click my seatbelt.

Veronica stops screaming and climbs over Mary into the luggage area filled with sunlight. The open umbrella blocks her. She grabs the handle and pushes it into the light.

Where’s the Holy Spirit?

It’s just the man who lost his penny in a truck. Maybe, he saw where the…

Veronica steps out of the window. Her shoe falls off and lands onto the crossing.

It’s knot untied.

She reaches for her shoe beside a copper circle.

Luke’s penny! I’ll put it my mouth for safekeeping.

Veronica puts the umbrella’s neck on her shoulder, slips her foot into the shoe, and sets the coin on her tongue. Sunlight hits the penny like a tongue of fire.

Those eyes…

I found your Penny.

Even when my anger, like a burning curse has tied me up in a knot…

I worry about you, Walt.

Smote thee knot.

John makes it to the Caravan’s luggage area. He sees Walter’s truck revving, ready to lunge, and blocking the only exit. He reaches through the rear window, grabs Veronica, and pulls her inside still holding the umbrella. He scoops up Mary. As a train’s brakes scream, the interim Pastor John Stevenson holds both daughters close and prays to be forgiven for choosing The Elder’s routine over The Lord’s.

I am the wrath of the Lord.

Walter’s truck hits the Caravan in the middle, rotates it off the tracks, receives the train, and explodes, sucking all the air from his fire. Penelope, with her silver wig off-centered, cradles Walter’s face close at 12:27.




Photo Credit: Dawnzy58 at Flickr.



About the author: As the son of a born-again preacher, Justin C Gordon was abused by many 'Chick Publication' tracts. It prepared him for a career in marketing and absurd prose. His fiction has been published in Southern Gothic Shorts: an anthology, Out of the Gutter Magazine, and at Southerngothic.org. Justin is a founding member of The Austin Fictionists, is working on a novel called 'The Electric Pickle', and lives outside of Austin with his gorgeous wife and two talented children. Take a moment to peruse his blog where you can give him hell about his style; he is having a "Wrath" contest -- an idea whose time has come.